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I was completely caught up in the story and thoroughly entertained. The film captures the emotions and feelings that go along with the history of the world music and the musicians. It is a film that is mostly about the musicians and their individual journeys to the very end, their struggles, their successes and their own mortality. This is a film that has you laughing and crying as it tells of the lives of the artists, their struggles, their hopes and their own limitations. "Coda" is a film that is worth your time and attention.
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I really loved this movie and it's worth seeing even if it is out of season for the few days it is in theaters. "Dangerous Space Sex" doesn't even go that far, and that's why I don't really like it. I guess I should have liked the film better, because I think Sakamoto was thinking about a subject in which he was most passionate. Was he just being weird, or was this a personal confession? Or was he trying to demonstrate the position of the "homo-sapiens" in his mind? It's impossible to tell, because the question was never answered. And of course the famous "Monkey" scene was a big part of it. There was a point where he was talking about the "monkeys of space", which he believes to be the origin of all space-alien life. And the other thing I didn't like was the way he could take up a lot of space.
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What was his true view of it, then? Did he leave it for posterity? Did he think about it in depth, as one would expect a sincere, intelligent guy like him to do? And why was he so polite to this girl at the end? Is this really the kind of "love" he wants to reveal? He seems to be describing his own feelings, not his feelings for a woman. For the record, I think this is a very interesting subject, and I hope I'll have the chance to see him again, but I don't think I'll be doing anything with his work.
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Even if I don't think it's so important for his films, it would be interesting to have a look at the director's real view of it. To put it simply, he portrays himself as a sensitive romantic, and in the end he completely renounces the sexual nature of this subject, which is also a subject he's been thinking about for a long time, since he wrote "The Man Who Fell to Earth" in the 1960's. It's not that I'm not interested in space-alien, but I just don't like the way he frames his approach to the subject. Sakamoto's latest project, "Dangerous Space Sex". Nevertheless, this is a good movie to watch and would be worth seeing if you enjoy the history of the WWF and wrestling. Overall, this film was very enjoyable, although I was a bit disappointed that some of the interviews were not that much more thorough. The way in which the interviewees were presented in the film made it feel more like a documentary than a documentary, which could have worked better. The only thing that did not work for me was that it is a bit long, with some of the more important interviews taking a long time to begin, and I felt that some of the material was being rushed in order to get to the film's conclusion. The production quality is good, the interviews are done very well, and there is a very authentic feel to the movie. This documentary is very much a throwback to the 80's, as a lot of the film was shot in the '80's. This documentary looks back at the legacy of the WWF in the 1980's and attempts to identify some of the key figures in the history of the WWF. Despite this, the WWF would still rise in popularity and regain the throne in 1985. However, due to a host of factors, WCW fell apart and left a very sad mark on the wrestling world. With the release of the first Nitro movie, the promotion would inspire a wave of "rock 'n' roll" movies. In 1980, the World Wrestling Federation was at its apex.